Karumudi spent years attacking Meier case, now admits finding ironclad evidence UFO contacts are real
In order to deceive and mislead the public, some skeptics create websites either using Billy Meier’s name or the name theyfly. One such skeptic is Mahesh Karumudi in India, who’s spent years attacking Billy Meier and his singularly authentic, still irreproducible UFO evidence. Ironically, Karumudi has been completely unable to account for Meier’s earliest, foundational evidence, i.e. his still irreproducible UFO photos taken in…India, in 1964. Nonetheless, for reasons known only to him, Karumudi attacked and defamed Meier at every opportunity, using long discredited and disproven claims, various uncredible sources, etc.
It must be even more embarrassing for him to have called attention to Meier’s ironclad, copyrighted evidence proving he indeed forewarned about asteroid Apophis, long before NASA thought they “discovered” it.
Professional skeptic Michael Shermer, an avid bike rider, has set new speed records peddling…away from his own unsubstantiated, defamatory attacks against the Meier contacts. His lack of courage may stem from a gnawing awareness that to try to do so would prove even more humiliating.
And, after being forced to retract his claims that Meier hoaxed his UFO evidence, Derek Bartholomaus’s desperate dishonesty led him to also falsify my emails and plagiarize the theyfly name.
Mahesh’s and Batholomaus’ “success” in proving themselves absolutely wrong certainly isn’t a model that other skeptics want to follow. But the deed is done and…so are they.
It’s rather puzzling that some people so hate the truth that they will go to such lengths to attack it…and thereby completely destroy whatever credibility they may have once had.
See also:
New Living Robot Created…as Predicted by Billy Meier
The Predicted Worldwide Volcanic Eruptions Begin
Get It Here!
The Way to Live
Get It Here!
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Next up, Justin Deschumps of stillnessinthestorm.com.
This guy has been in the ufo and spiritual research game as long as I have, but out of the thousands of posts on his blog, he hasn’t ONCE published anything related to Billy Meier, despite me sending him plenty of stories over the years.
George Adamski? Justin publishes it.
Wacky channeled messages? Yes.
Wacky UFO cults? Yes.
Cobra, Corey, and Wilcock? Yes. Yes. Yes.
So why Justin, if you are so open minded to conscious expansion, do you refuse to publish anything related to Meier?
Write him a friendly letter at: sitsshow@gmail.com
Or leave a friendly comment on his blog, whenever you smell a story that stinks.
Ha! Mahesh really still at trying to prove cases of fraud when asked directly to provide actual proof the Meyer evidence was faked says that it would be untenable? That guy? LOL
Wow…it’s almost like he’s following a religious/ ideological false narrative belief that the Meier cases is a fraud but doesn’t want to look at any other evidence that would prove him wrong…huh…weird! 😉
It’s really funny to me that people who have a predisposed notion to not believe anything like the Meier case would be true or false are predisposed to look for that evidence however small it may be to prove whatever they believe.
It’s almost as if their mind is trapped in an illogical fallacy that they can’t quite think themselves out of…that must be hell!
Lastly, I wanted to thank you Michael for your tireless efforts and getting the word out about this earth changing case that if more people actually knew about, not only would be smarter but they would make better decisions.
Someday I hope he comes around like the person who apologised for trying to kill Billy.
Hello,
In “The Adventures of Billy Meier” in comic form, CR495, Page 1 needs to be Page 2, and Page 2 needs to be page 1.
Thank you,
Belinda G.
In regards to the “controversial” Asket pictures I know Michael Horn has pointed out the banding issues which occur when taking pictures from a TV, except very recently with newer LCD TV and digital cameras, not available in 1975. Billy would’ve had to have taken a fair number of pictures to make sure he framed it correctly and didn’t have the banding visible, and still without knowing the results until after the film’s developed. Also it doesn’t take much looking to see that colour television wasn’t introduced to Switzerland until 1968 and the cost of colour sets, introduced in 1969 was 12,000 Swiss francs (equivalent in modern terms) or £10,000 or $13,000-$15,000. Of course the price will have dropped over a period of time, at that point there was around a million TV sets in Switzerland (number of licenses bought) and less than 10,000 colour TVs and limited colour broadcasting. Despite this there’s only records of the Dean Martin show being broadcast in half hour segments in one country in Europe, it was West Germany in 1975. Was the Dean Martin show actually broadcast in Switzerland, I doubt it, there’s no records, it wasn’t broadcasted in the UK where the whole population is English speaking. The American culture was stronger in West Germany because they were and are still to an extent occupied by the US after ww2. English language TV programs weren’t braodcasted to a large extent through Europe. Looking from an American culture perspective it would seem that this was the obvious answer. Looking from the European perspective of how long it took for the trickle down of American culture it’s obvious that it’s very unlikely. Even into the 90s it was months and months before films would arrive in cinemas and not until satellite television was introduced to large extent, in the 90s did American broadcasts become available to the larger population. American films or series wouldn’t be shown on TV for years until after there initial release. Colour American television didn’t show it’s face in Europe until the 1980s on the limited channels available. Having tens or hundreds of channels available like in America wasn’t the case. With English not as common as it has become as a second language across much of Europe meant that paying, especially in the early days of colour TV and the limited ability to add subtitles wasn’t worth it for European TV companies when countries across Europe would make their own version to the TV shows in America if the narrative was popular. What people wanted to watch on TV was far removed from what the USA was watching at that time. Growing up in the UK in the 80s and 90s we were limited to 4 channels and it wasn’t until the 90s that households started to get satellite TV, MTV was just a thing we heard about and the majority of people had never seen it
Thank you very much, I will add this to the info we have.
Hi
The Banding that one will get, if the camera is not synchronized with the TV set is called “Hum Bars”.
In the UK it is 50 Hz (cycles per second). In the USA it is 60Hz(cycles per second).
It would have been impossible for Billy to carrying with him a “Flying Spot Scanner”,( an electronic device that transcribes the CRT screen to cellulose nitrate film, ie 35mm or 8mm ). Which back then would have been impossible to carry as well as being very expensive.
A description can be found at-
https://en.wikipedia.org/wiki/Flying-spot_scanner
Therefore, if anyone said he photographed or filmed the TV set, you can shut them up, and show them the error of their ways.
Salome
Thanks, I didn’t know about this. I know from the first camera phones that trying to take a screenshot was difficult, you could sometimes get the timing right, but it would still be difficult and no guarantee. Billy would’ve have had to take rolls and rolls of film to get it right, either by chance that he didn’t get banding or to get the perfect crop. To get a picture on an older TV without the banding would mean a slower shutter speed and a tripod to prevent movement in the camera. This also means that any movement on the TV would also be blurred. So I guess another angle is, did Billy have a video recorder so he could record the show and pause it. Well as the show wasn’t available to buy on cassette or very likely not on TV in Switzerland to be recorded I doubt it. First available in 1969ish the cost didn’t drop (apparently) until the 80s from $1500 to $200-300, not sure if that’s then money or today’s money.
Billy said to me when I met him “don’t make a big thing about the teachings” but sometimes people’s ridiculous ignorance gets the better of me
I’ve emailed Christian, they if they wish to would be able to investigate in Swiss with a little more ease. I’ve looked into this more deeply a while back and can do so again. If you drop me an email I can update when I’ve got the links etc.
I know that traveling in the 90s in Europe, France, Italy and Switzerland when you were out of the main urban areas they were still very rural and traditional. How the culture is now, even in built up areas has really only developed seriously over the last 20 years. I was born in the 80s and as I said the media landscape in the UK was far removed from today. Whether or not Billy had a colour TV I don’t know, he wouldn’t lie but if he did confirm he didn’t the last defence used by the opposing side is always “he/they would say that”
I gather that you are prepared to not find many others on your planet to enjoy the high road?
Hi Andrew,
What does this mean?
What’s that?
It’s Saturday, it’s lockdown and not much to do so here’s some tedious information.
From IMDb
The only known European country where the Dean Martin show aired was West Germany. There, portions of show were edited down to half-hour episodes and broadcast on an program called Larry’s Showtime (18th January 1975-1981), which ran on Saturday afternoons on the ZDF network during the 1970s. On alternate weeks, the series would feature excerpts from other U.S. variety programs hosted by Danny Kaye and Jerry Lewis. The singing on the shows was left in English, but the speaking voices were dubbed into German.
The footage from the series first became available on home video in a compilation called Dean Martin: That’s Amore (2001)
https://blog.nationalmuseum.ch/en/2018/10/when-colour-television-came-to-switzerland/
From the above blog
On 1 October 1968, the hour had come. Following the launch of colour television in West Germany, France, the UK and the Netherlands, colour TV signals were now also to be broadcast as standard in Switzerland. Marcel Bezençon, Director General of the Swiss Broadcasting Corporation (SRG), gave the command: ‘Technique, que la couleur soit!’ [Technical team, let there be colour!] – and the bouquet of flowers in Studio Bellerive in Zurich was transmitted in colour. Comparatively few viewers were able to experience this TV event. At that point in time, only about 6,000 Swiss households had a colour TV. On the remaining 900,000 TV sets, the bouquet of flowers remained black, white and grey.
Between 1968 and 1970, further improvements were made to the colour television infrastructure. By the end of 1970, the SRG was broadcasting 40% of programming hours in colour.
By 1977, the switchover to colour television was largely completed, having thus taken almost 10 years. In that year, the last Ticino studio in Comano also went on air in colour. At the end of 1969, just 3% of television sets in Switzerland were able to receive colour signals; ten years later, that figure was about 60%. Many TV users were cautious about switching to colour television. For a lot of families, it was an issue of first paying off their expensively purchased black-and-white sets. It wasn’t until the 1980s that the last of those sets disappeared from living rooms and found themselves on the scrap heap or, occasionally, in museum collections.
And still the Dean Martin show was only broadcast on one German channel (ZDF) which is now the 3rd? Most watched channel or German speaking channel in Switzerland. Although it’s likely it wasn’t received/picked up from household aerials in Switzerland or at least only on the borders at that time and not as far away as up a mountain where the phone signal isn’t that great now.